Tuesday, 29 March 2011

Release on tape and future plans...

Coastal Path got installed at the Robotmother storage units in Penryn. There were about ten other pieces dotted around the small dark rooms. I want to thank all the people and my friends who came along despite the pressing urgency to celebrate dissertation hand in! A couple of pics...



I've not uploaded Coastal Path anywhere yet but instead I would like to put a few copies on tape and distribute some to those who want one. I got a cassette deck last year with the intention of recording something to tape because I was inspired by the comeback the format seemed to be experiencing. Unfortunately I never really got round to it. Feedback on this idea would be appreciated, I would probably try and put something new on side b as well.

Editing on the film will begin properly in the next few days, a little more stuff needed to be shot as well next month. Updates to follow soon on how that goes, hopefully when it's done I'll design some nice covers and packaging.

Happy Easter to all!

Miles. 

Thursday, 10 March 2011

Possible upcoming installation

I've not posted here for awhile but that's simply because of how busy things seem to be at the moment. The plan was to regularly post updates on my experimental sound project for Uni, but it seems very time consuming to upload and format a decent post on here! Anyway filming and sound recording have been going well, there is not much left to do before I start putting it all together.

One thing I have completed is a short piece for a sound festival in Falmouth at the end of the month called Resound. Information can be found here - http://resoundfalmouth2011.tumblr.com/about

It's called Coastal Path and is the beginning of a theme which will be carried on into my film project, due to be completed at the end of May. Coastal Path will either see radio play or installation at the Resound festival, or possibly both.

Here is a press release cover I designed...


An update to come soon of where this can be heard.

Miles.

Wednesday, 2 February 2011

Location Scouting For Professional Practice - Update 2

I have visited a couple more locations, the first was Loe Bar (SW 64400 24165).

Aquarian H2A-XLR with contact adaptor on melting ice.
It was a very pleasant, sunny Sunday morning, not a cloud in the sky, these are ideally the conditions I would like for this location. It had been a very cold night, temperatures reaching below freezing. Patches of ice had formed down the sloping cliffs, I was able to take advantage of this.

Placing the hydrophone on the melting ice patches revealed the incredible sound of the melt water, popping, cracking and bubbling. 




I'm unsure at this point whether these sounds will be included in the film. However so far I've been impressed with the Aquarian, which I've only had a couple of weeks.



Further down the beach at the sand bank I surveyed the area from both sides, getting an overall sense of the space.

View of the sand bar. Sea on left, Loe Pool on right.






Loe Pool reed bed.
I also went down to the lake to make some further recordings with the hydrophone. A cold wind was blowing from across the lake causing large ripples to break against the shore. I made two recordings in a reed bed, and one with microphone fully extended on its cable from the shore. Searching for microsounds in the sand proved unsuccessful, what I am hoping to find is a sand shrimp scurrying in the sand. I recorded an example of this creature during the summer. Perhaps it is as of yet too cold for them...

View from Loe Pool shore.














                              The next day I visited another location after work, located just a little further along the coast is Kynance Cove (SW 68395 13271). I was able to assess the suitability of much less this morning due to a miscalculation with the tide. When the tide is out at the cove a whole new area of beach is exposed, allowing access to Asparagus Island. Scrambling up onto here and round the side is the opening of an underwater cave where the sea is pushed through with incredible force. There is the powerful sound of air being drawn through a small hole in the rock face and spurted back out again, often spraying a cloud of mist with it. 


Underwater opening of cave.
Getting a clean recording with the hydrophone in these waters proved difficult as they are so active, extending the length of cable might be a solution. However I am not too concerned as the really impressive sounds are heard above the water. I also experimented capturing the sound of limpets feeding in a small pool, I made a note to explore this further.

The sun rose, shining light on new areas.

View of cove from underwater cave.









The plan was to explore cave areas more which can be seen from the photo on the right, however as I left this location and came back down the Island I realised the tide had come in stranding me! It was a case of taking my boots off and rolling my jeans up and feeling a little embarrassed as some walkers looked on from the headland. Much more attention will be paid to the tide timetable in future.

In other sound related news my involvement with a couple of my friends film projects is coming along. Information on the ten minute short set in a dystopic future can be found here: http://marlboroughroadfilm.blogspot.com/ This should be a fun shoot, me and the director, Alex, have had a play around with the induction coil microphone, so there is the potential for some interesting sound design there. The other project I am involved with is a series of experimental shorts, the first being a dance film. No link to give, but should be gathering atmospheres at some point.

More soon.

Friday, 28 January 2011

Location Scouting For Professional Practice - Update 1

Work for my next project has begun! Having conceptualised my piece and decided on locations today I took the first images for the photographic storyboard at locations:

The Lizard Lighthouse - Grid Reference: SW 70381 11594
Dean Quarry - Grid Reference: SW 80014 20564

The Lizard Lighthouse.

Sheltering from the wind at The Lizard Lighthouse

It was one hell of a cold day, and I was struggling with numb hands and feet! The wind was blowing at speeds of up to 20 mph. However these are the sort of conditions I want whilst recording at Dean Quarry, a little less wind would be preferable though. I also visited The Lizard Lighthouse which will feature within the film.

Docking bay at Dean Quarry
Dividing walls

Electrical generators

At the quarry I am hoping to capture the desolate environment of this forgotten place, the quarry has long been out of action however a lot of buildings and signs still stand. A quick google gives you links to urban exploration forums, whilst walking around I found a way into a room with old electrical generators inside. It truly is a great space to explore, the seashore consists of pebbles, which rattle and rumble as the rough sea recedes.

View through concrete channel



I don't want to give too much away at this early stage but I've uploaded a short sound sample which helps convey the mood.

  Rusted Hole In Metal Gate by miles out in the field

More updates soon.

Monday, 13 December 2010

Tug Boat Pulling Fishing Cages


Dissolves into the eerie sounds of the boat and its heavy load. Recorded during summer 2010. Enjoy.

  Led out to sea by miles out in the field

Monday, 22 November 2010

Tests with induction coil pick-up

I got my induction coil pick-up today in the post. I'm totally new to the idea of this gadget, but basically as far as I understand it picks up the electronic whirrings and signals given off by most electronic devices when placed near or against them.

Here are the first couple of recordings I made by moving it around my MacBook...

  Hard Drive Sounds by miles out in the field

  Laptop Sounds by miles out in the field

Tuesday, 2 November 2010

DolphinEar Pro Hydrophone

Last month I borrowed a DolphinEar Pro hydrophone from the Wildlife Recording Society. It's a terrific microphone, I got the chance to test out some ideas I've had for awhile.

My final year project will certainly draw upon this first recording I made...

  Mylor Boat Yard by miles out in the field 

This recording was taken inside a small cave, the acoustics of such spaces near the sea is fascinating.

  Praa Sands Cave by miles out in the field